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Cantonese opera is one of the performing arts of traditional Chinese culture, involving singing, acting, music, martial arts, acrobatics, stage costumes, etc. Cantonese opera has high value of appreciation, at the same time can also reflect social culture and norms. The cultural performance is specially arranged for the conference. The story of the Cantonese opera “The Dream of the West Chamber" can demonstrate how family sexual values and social class concept might influence the love and marriage of the next generations. Apart from appreciating the traditional Chinese performing arts, audiences can also have a chance to reflect on the contemporary concepts of family sexuality education. Audience should not miss the discussion session right after the performance!


Synopses of “The Dream of the West Chamber”

Leading courtesan Mu Suhui admires the talent of Yu Shuye. At their first meeting, Mu sings “The Limpid Chu River” to express her love. The two take an oath of marriage. After learning about the love affair, Shuye’s father barges into the brothel and admonishes his son for loving a prostitute. Zhao bullies the madam into taking Mui to Qiantang to live in seclusion. Mu writes a letter to Yu, but she is in such a hurry that she accidentally puts a piece of blank paper into the envelope.

That night, Yu’s father comes to the study and warns him with eight maxims on the heartlessness of prostitutes. After his father leaves, Yu finds the blank paper and considers it a sign from Mu that she has broken off their engagement. Later on, while experiencing an out-of-body state, Yu dreams that Mu has denied the oath. Once conscious, Yu decides his father is right and tears the blank paper into pieces.

Chitong, the son of the prime minister, loves Mu. He bribes the madam and tries to marry Mu, who would rather die than comply. Misinformed that Yu has died, Mu visits Hunzhen Temple to pray for his soul. Yu also happens to be at the temple to give thanks for being spared from a life with Mu, but he fails to see her. Mu is rescued by knight errant Changgong and his wife, Qinghong. From the knight’s house, Mu one day sees Yu parading down the street as the new champion of the imperial examination. The two meet and clear up the misunderstanding. By a clever plan, the knight helps the two get married.

"Source from: Cantonese Opera Research Programme , The Chinese University of Hong Kong"

Moderators:

Cheng Pui-kwan Cathy, M.Phil candidate, Gender Studies Programme / Department of Educational Administration and Policy, The Chinese University of Hong Kong.

Dr Chan Chak-lui, Instructor, Department of Cultural and Religious Studies, The Chinese University of Hong Kong.



 


Performers:

Chan Chak-lui (Yu Shuye)
Graduate, Certificate Programme in Cantonese Opera, Hong Kong Academy for Performing Arts; Instructor, Department of Cultural and Religious Studies, the Chinese University of Hong Kong.

So Chi-lingMu Suhui
Graduate, Cantonese Opera Academy of Hong Kong

Li Ming-hang (Yu Xuebing)
Graduate, School of Cantonese Opera in Guangdong.

Wang Kit-ching, Karen (Yinhuang)
Graduate, Advanced Diploma Programme in Cantonese Opera, Hong Kong Academy for Performing Arts

Law Chin-mei (Wenpau)
Graduate, Certificate Programme in Cantonese Opera, Hong Kong Academy for Performing Arts; Graduate, Department of Medicine, The Chinese University of Hong Kong

Musicians:

Prof Yu Siu-wah(Erhu)
Associate Professor and Head of Chinese Music Archive, The Chinese University of Hong Kong.

Ho Kang-ming(Pipa)
Musician of Pipa, Hong Kong Chinese Ochestra

Chan Chi-chun(Dong Xiao)
M. Phil candidate, Ethnomusicology, Department of Music, The Chinese University of Hong Kong

Chan Pui-lun(Luogu)
M. Phil candidate, Department of Music, The Chinese University of Hong Kong

Yau Oi-man(Guzheng)
MA candidate, Department of Music, The Chinese University of Hong Kong

 

 

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